Listen & view Chaya Czernowin's lyrics & tabs

Chaya Czernowin is an Israeli composer. She was born in Haifa, 1957, and raised in Israel. Through her studies with Abel Ehrlich, Brian Ferneyhough and Dieter Schnebel, and various scholarships and prizes, Czernowin has been able to focus intently on refining her unique musical language since the age of twenty-five, living in such diverse regions as Germany, Japan, the United States and Austria....read more

contemporary classical Avant-Garde composer israeli Female Composer

Similar Artists of Chaya Czernowin

Rebecca Saunders

Rebecca Saunders

Liza Lim

Richard Barrett

Richard Barrett

James Dillon

Mathias Spahlinger

Mathias Spahlinger

Top Tracks of Chaya Czernowin

Dam Sheon Hachol

Ayre "Towed Through Plumes, Thicket, Asphalt, Sawdust and Hazardous Air I Shall Not Forget the Sound Of"

Sahaf for four instrumentalists

Wintersong V "Forgotten Light"

Anea Crystal: I. Seed I

Water: I. Strange Water Stolen Water

The Fabrication of Light

5 Action Sketches: No. 4. Sliver

Wintersong V: Forgotten Light

Sheva for seven instrumentalists

5 Action Sketches: No. 5. Sand

Six Miniatures And A Simultaneous Song

While Liquid Amber

Water: II. The Memory of Water

5 Action Sketches: No. 1. Breathe

5 Action Sketches: No. 1, Breathe

5 Action Sketches: No. 2, So Narrow

Afatsim - Nonet (1996)

Pilgerfahrten (Pilgrimages): Part A

Dam Sheon Hachol - String Sextet (1992)

6 Miniatures and a Simultaneous Song

Adiantum Capillus-Veneris (Maidenhair Fern). Etudes in Fragility: II

Anea Crystal: II. Anea

Die Kreuzung - Trio (1995)

Wintersong II "Stones"

The Last Leaf for Oboe Solo

Wintersong IV "Wounds/Mistletoe"

5 Action Sketches: No. 5, Sand

Shu Hai in an Orchestral Setting: I. Orchestral Entrance I

Water: III. Water of Dissent

Shu Hai in an Orchestral Setting: III. Orchestral Entrance II

The memory of water

5 Action Sketches: No. 2. So Narrow

5 Action Sketches: No. 4, Sliver

Winter Songs II: Stones

Shu Hai in an Orchestral Setting: II. Vocal Entrance I

Anea Crystal: III. Seed II

Wintersong IV: Wounds - Mistletoe

Shu Hai in an Orchestral Setting: IV. Vocal Entrance II

Six miniatures and a simultaneous song (1998)

Adiantum Capillus-Veneris (Maidenhair Fern). Etudes in Fragility: III

Ina for bass flute and six pre-recorded bass and piccolo flutes

The last leaf (version for sopranino saxophone)

Shu Hai mitamen behatalat kidon: I. —

Winter Songs III

White Wind Waiting

Shu Hai in a orchestral setting (2000-01): First orchestral entrance

Shu Hai in a orchestral setting (2000-01): First vocal entrance

Pilgerfahrten (Pilgrimages): Part B

Shu Hai in a orchestral setting (2000-01): Second vocal entrance

Shu Hai in a orchestral setting (2000-01): Second orchestral entrance

Maim zarim maim Gnuvim (strange water stolen water)

Shu Hai mitamen behatalat kidon: II. —

Mei mecha'a (water of dissent)

The Crescendo Trilogy: I. The Quiet

Shu Hai mitamen behatalat kidon (1996-97): First movement

Shu Hai mitamen behatalat kidon (1996-97): Second movement

At the Fringe of Our Gaze

Wintersongs (2014): V. Forgotten Light

Anea Crystal: Seed II

Anea Crystal: Anea

Five Action Sketches (2014): I. Breathe

pilgerfahrten [2006/2007] for speaker, treble choir, and instruments after texts by tove jansson and stefan george: part a

Anea Crystal: Seed I

Shu hai mitamen behatalat kidon

pilgerfahrten [2006/2007] for speaker, treble choir, and instruments after texts by tove jansson and stefan george: part b

Ina For Live Solo Bass Flute And Six Pre-Recorded Flutes On Tape (1988)

Five Action Sketches V: Sand (2014)

Breathing Etude I

Shu Hai In An Orchestral Setting, Second Orchestral Entrance

Shu Hai In An Orchestral Setting, First Vocal Entrance

Shu Hai In An Orchestral Setting, First Orchestral Entrance

Pilgerfahrten (Pilgrimages): Part C

Shu Hai In An Orchestral Setting, Second Vocal Entrance

Shu Hai Mitamen Behatalat Kidon, First Movement

The Crescendo Trilogy: II. Zohar Iver (Blind Radiance)

pilgerfahrten [2006/2007] for speaker, treble choir, and instruments after texts by tove jansson and stefan george: part c

Shu Hai in an orchestral setting - I

Dam Sheon Hachol - String Sextet

Wintersongs IV: Wounds/Mistletoe (2014)

Five Action Sketches IV: Silver (2014)

Five Action Sketches II: So Narrow (2014)

Die Kreuzung - Trio

Wintersongs II: Stones (2003)

Wintersongs (2014): IV. Wounds / Mistletoe

Adiantum Capillus-Veneris (Maidenhair Fern). Etudes in Fragility: I

Knights of the Strange

Shu Hai in an orchestral setting - IV

Five Action Sketches I: Breathe (2014)

Five Action Sketches (2014): V. Sand

Five Action Sketches (2014): IV. Sliver

Shu Hai Mitamen Behatalat Kidon, Second Movement

Ina (for bass flute and six pre-recorded bass and piccolo flutes) (1988)

Shu Hai in an orchestral setting - II

Five Action Sketches (2014): II. So Narrow

zohar iver (blind radiance)

Shu Hai In An Orchestral Setting: First Vocal Entrance

Shu Hai in an orchestral setting - III

Adiantum Capillus-Veneris I

Wintersongs (2003): II. Stones

Anea Crystal: Anea for two string quartets

Shu Hai In An Orchestral Setting: Second Vocal Entrance

Shu Hai Mitamen Behatalat Kidon: First Movement

Ina (For live solo bass flute and six pre-recorded flutes on tape 1998)

Anea Crystal: Seed I for string quartet

String Quartet (1995)

Winter Songs III for ten instruments and electronics

Forgotten Light

Maim zarim maim Gnuvim

Shu Hai Mitamen Behatalat Kidon: Second Movement

Songs of the Muted One

Shu hai 2nd vocal setting -Strobel electronic studio SWR-

Shu hai mitamen behatalat kidon (1996-97) 1st movement -v(9vv)-tape-elec-

Wintersongs V: Forgotten Light (2014)

Wintersongs V: Forgotten Light

Adiantum Capillus-Veneris III

Maim Zarim, Main\Mai Gnuvim

Ayre (Towed Through Plumes, Thicket, Asphalt, Sawdust and Hazardous Air I Shall Not Forget the Sound Of)

Anea Crystal: Seed II for string quartet

Shu Hai In An Orchestral Setting: First Orchestral Entrance

Shu Hai In An Orchestral Setting: Second Orchestral Entrance

Ayre: Towed through plumes, thicket, asphalt, sawdust...

Shu Hai in an Orchestral Setting: II. First Vocal Entrance

Shu Hai in an Orchestral Setting: III. Second Orchestral Entrance

Shu Hai in an Orchestral Setting: IV. Second Vocal Entrance

Shu Hai in an Orchestral Setting: I. First Orchestral Entrance

Shu Hai Mitamen Behatalat Kidon: I

white wind waiting (2013)

at the finger of our gaze (2012-13)

esh (the cresceno trilogy part III) (2012)

Maim Zarim, Maim Gnuvim - Für Großes Orchester, Tubax, Solisten-Quintett Und Live-Elektronik

Day One: On the Face of the Deep

Ayre: Towed through plumes, thicket, asphalt, sawdust and hazardous air I shall not forget the sound of

Die Kreuzung (Trio 1995)

maim [water] (2002-06): maim zarim mai gnuvim (strange water stolen water)

Shu hai 1st vocal entrance -v(9vv)-orch-tape-elec-

Shu hai 2nd orchestral entrance -Basel sinfonietta-J.Kalitzke cond.

Shu hai in an orchestral setting (2001) 1st orch entrance (Ute Wassermann)

Shu hai mitamen 2nd movement (Ute Wassermann & Strobel-Studio Freiburg)

Tris for Percussion and Tape (Karen Phenpimon, perc)

Shu Hai mitamen behatalat kidon - II

Shu Hai mitamen behatalat kidon - I

Five Action Sketches I: Breathe

Five Action Sketches V: Sand

Wintersongs II: Stones

Five Action Sketches IV: Sliver

Five Action Sketches II: So Narrow

Wintersongs IV: Wounds / Mistletoe

Anea Crystal I Seed 1

Anea Crystal III Seed 2

Winter Songs III Roots

Anea Crystal II Anea

Winter Songs I, version I, Pending light, pour sept musiciens et électronique

Maim zarim mai Gnuvim (strange water stolen water)

Afatsim - Nonet

White Wind Waiting for guitar and orchestra (2013)

Afatism (Nonet 1996)

Shu Hai mitamen behatalat kidon - First Movement

zohar river (blind radiance) (the cresceno trilogy part II) (2011)

Dam Sheon Nachol (String Sextet 1992)

Anea Crystal - Anea f 2SQ

Once I blinked nothing was the same

Shu Hai in an orchestral setting - First vocal entrance

maim [water] (2002-06): the memory of water

Anea Crystal: Seed 1

the quiet (the cresceno trilogy part I) (2010)

Six miniatures and a simoultaneous song (1998) Elision ens S-va-gui bfl-bcl-as-vc

maim zarim, maim gnuvim (2002)

maim [water] (2002-06): mei mecha'a (water of dissent)

Shu Hai in an Orchestral Setting - Second Orchestral Entrance

Afatsim (Nonet 1996)

maim zarim, maim gnuvim (2002) for Orchestra, Five Soloists & Live Electronics

Pilgerfahrten: Part A

Pilgerfahrten: Part C

Pilgerfahrten: Part B

Drift (Sahaf) - 2008

Excavated dialogues

Winter Songs III: Roots

The Quiet for large orchestra divided into three groups (The Crescendo Trilogy Part I) (2010)

Anea Crystal - Seed I f SQ

Adiantum Capillus-Veneris: I.

Shu Hai Mitamen Behatalat Kidon: II

Adiantum Capillus-Veneris: I.

Adiantum Capillus-Veneris: III.

Adiantum Capillus-Veneris. Maidenhair Fern – Frauenhaarfarn: II. Adiantum Capillus-Veneris

Adiantum Capillus-Veneris. Maidenhair Fern – Frauenhaarfarn: III. Adiantum Capillus-Veneris

Shu Hai in an orchestral setting - First orchestral entrance

Adiantum Capillus-Veneris. Maidenhair Fern – Frauenhaarfarn: I. Adiantum Capillus-Veneris

Maim: III. Mei Mecha’a (Water of Dissent)

Maim: I. Maim zarim maim Gnuvim (strange water stolen water)

Maim: II. The Memory of Water

Shu Hai Mitamen Behatalat Kidon: II

Wintersongs IV: Wounds/Mistletoe

Zohar Iver (Blind Radiance) for ensemble and orchestra divided into three groups (The Crescendo Trilogy Part II) (2011)

Anea Crystal - Seed II f SQ

Sahaf f 4 Instr. (2008)

Pilgerfahrten - Part C

Sheva f 7 Instr. (2008)

(Ausschnitt) Winter Songs III

Shu Hai in an orchestral setting - Second vocal entrance

Shu Hai mitamen behatalat kidon - Second Movement

Die Kreuzung (1995)

Adiantum Capillus-Veneris (Maidenhair Fern) . Etudes in Fragility: III

Adiantum Capillus-Veneris (Maidenhair Fern) . Etudes in Fragility: II

Adiantum Capillus-Veneris (Maidenhair Fern) . Etudes in Fragility: I

Mei Mecha’a (Water of Dissent)

Esh (The Cresceno Trilogy Part III)

The Quiet (The Cresceno Trilogy Part I)

Fabrication of Light

At The Finger Of Our Gaze

Zohar River (Blind Radiance) (The Cresceno Trilogy Part II)

On the Face of the Deep

Pilgerfahrten - Part B

maim zarim, maim gnuvim

Dam Sheon Hachol (1992)

Dam Sheon Hachol (String Sextet 1992)

Excavated dialogues, for Ensemble

The Quiet (2010) for large orchestra divided into 3 groups (The Crescendo Trilogy Part I)

Zohar Iver (Blind Radiance) (2011) for ensemble & orchestra divided into 3 groups (The Crescendo Trilogy Part II)

Esh (2012) for orchestra with countertenor (The Crescendo Trilogy Part III)

At the Fringe of Our Gaze (2012/13) for orchestra & concertino group

White Wind Waiting (2013) for guitar & orchestra

Wintersongs V: Forgotten Light (2014) for 2 septets & an octet with 2 singers

Five Action Sketches (2014) for 2 voices & 5 instruments: IV. Silver

Anea Crystal: Anea (2008) for 2 string quartets

Anea Crystal: Seed II (2008) for string quartet

Wintersongs III: Roots (2003) for 7 instrumentalists, sampler player, 3 percussionists & electronics

Sheva (2007) for 7 instrumentalists

Anea Crystal: Seed I (2008) for string quartet

Sahaf (2008) for saxophone, electric guitar, piano & percussion

Five Action Sketches (2014) for 2 voices & 5 instruments: I. Breathe

Five Action Sketches (2014) for 2 voices & 5 instruments: II. So Narrow

Loading Time :0.29075908660889