Listen & view Morton Feldman's lyrics & tabs

Morton Feldman (born January 12, 1926, died September 3, 1987) was an American composer. He is best known for his instrumental pieces which are frequently written for unusual groups of instruments, feature isolated, carefully chosen, predominantly quiet sounds, and are often very long. Feldman was born in New York City. He studied piano with Madame Maurina-Press, a pupil of Ferruccio Busoni, and ...read more

contemporary classical minimalism Avant-Garde Classical avant garde

Similar Artists of Morton Feldman

Iannis Xenakis

György Ligeti

John Cage

Anton Webern

Giacinto Scelsi

Giacinto Scelsi

Top Tracks of Morton Feldman

Rothko Chapel 5

Rothko Chapel 3

Rothko Chapel 2

Rothko Chapel 4

Rothko Chapel 1

A Non Accented Legato

For Bunita Marcus: Mm. 1270-1372

Piano Piece 1952 - Version 2

Voices And Cello

For Samuel Beckett

Rohtko Chapel 1

For Franz Kline

Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III

Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet

Voice, Violin And Piano

Slow Waltz And Ending

Christian Wolff in Cambridge

Something Wild In The City: Mary Ann's Theme (1960)

For Bunita Marcus

Durations III - Fast

Vertical Thoughts 5

Durations III - Slow

durations iii - very slow

Four Instruments

Triadic Memories

Piano Piece 1956 B

for Philip Guston: I. Pt. 1

Piano and String Quartet

Vertical Thoughts 2

Piano Three Hands

Piano Piece 1956 A

The Viola in My Life I

Pianos And Voices

The Viola in My Life II

Jackson Pollock (1950-51) for two Cellos: V Painting on Glass

Piano Piece (to Philip Guston)

For Bunita Marcus (1985): page 1

Madame Press Died Last Week at Ninety

For Bunita Marcus: Beginning-M. 289

For Philip Guston: I. —

Piece for Four Pianos

The Viola in My Life III

For Aaron Copland

For Frank O'Hara

The Rothko Chapel

False Relationships And The Extended Ending

For Bunita Marcus: Mm. 558-766

For Bunita Marcus (1985): page 33

The King of Denmark

Patterns in a Chromatic Field

Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I

For Bunita Marcus (1985): page 2

Piano and Orchestra

For Bunita Marcus (1985): page 5

Intermission 6 for One or Two Pianos

Piano Piece 1955

Vertical Thoughts 4

Triadic Memories: I

For Bunita Marcus (1985): page 3

For Bunita Marcus: Mm. 290-557

For Bunita Marcus (1985): page 4

For Bunita Marcus: Mm. 767-991

Journey To The End Of Night - 1

For Philip Guston: II. —

Routine Investigations

For Bunita Marcus (1985): page 6

For Stephan Wolpe

Cello and Orchestra

Piano (Three Hands)

Piano Piece 1964

Vertical Thoughts I

For Bunita Marcus (1985): page 8

For Bunita Marcus (1985): page 7

Between Categories

Crippled Symmetry

The Viola in My Life: I

For Bunita Marcus (1985): page 9

Piano Piece 1952

Three Clarinets, Cello And Piano

For Philip Guston: III. —

For Bunita Marcus: Mm. 992-1269

Piano Four Hands

Journey To The End Of Night - 2

For Bunita Marcus (1985): page 18

String Quartet No. 1: I. Pages 1-12

For Bunita Marcus: Mm. 1373-End

Jackson Pollock (1950-51) for two Cellos: II Pollock Paints

The Viola in My Life: III

Triadic Memories: II

For Philip Guston: IV. —

Two Pieces for Two Pianos

Journey to the End of Night - 3

for Philip Guston: II. Pt. 2

Vertical Thoughts 1 for Two Pianos

String Quartet and Orchestra

For Bunita Marcus (1985): page 12

Projection 3 for Two Pianos

For Philip Guston: V. —

Crippled Symmetry: Region 1

4 Songs To E.e.cummings -1

The Viola in My Life: II

Turfan Fragments

For Bunita Marcus (1985): page 13

Triadic Memories: (beginning)

Bass Clarinet and Percussion

For Bunita Marcus (1985): page 29

String Quartet & Orchestra

Journey To The End Of Night - 4

Jackson Pollock (1950-51): V Painting on Glass

For Bunita Marcus (1985): page 10

For Philip Guston: X. —

The Straits of Magellan (1961)

For Philip Guston: VI. —

For Bunita Marcus (1985): page 21

Work for Two Pianists

for Philip Guston: III. Pt. 3

Patterns in a Chromatic Field: Pp. 1-8

Why Patterns? (1978)

String Quartet No. 1: II. Pages 12-21

For Philip Guston: VII. —

For Bunita Marcus (1985): page 11

Jackson Pollock (1950-51): IV Detail of Painting

Chorus and Instruments (II)

For Philip Guston: IX. —

4 Songs To E.e.cummings - 2

Crippled Symmetry (continued)

For Philip Guston: VIII. —

For Philip Guston

For Bunita Marcus (1985): page 14

For Samuel Beckett (1987): Part 1

For Bunita Marcus (1985): page 16

For Philip Guston: IV. Pt. 4

Intermission VI (1)

The O'Hara Songs - 1

4 Songs To E.e.cummings - 3

For Bunita Marcus (1985): page 15

For Bunita Marcus (1985): page 17

Piano for Four Hands

Chorus & Instruments II

For Bunita Marcus (1985): page 19

4 Songs To E.e.cummings - 4

The O'Hara Songs - 2

Triadic Memories: III

Piano Piece To Philip Guston

Ixion - for Two Pianos

Three Voices: (1)

Piano Piece 1956 A (To Cynthia)

Triadic Memories, pt. 1

String Quartet No. 1: III. Pages 21-31

String Quartet (II) (1983): I.

Piece for Violin and Piano

illusions: i. very fast

Intermission VI (2)

jackson pollock: ii. pollock paints

Patterns In a Chromatic Field: Page 1, Stave 1, Mesure 1

Palais de Mari (1986)

For Philip Guston: V. Pt. 5

2 Pieces for 2 Pianos

Piano Piece (1952)

Crippled Symmetry: Region 2

Triadic Memories: IV

For Bunita Marcus (1985): page 28

Piano (3 hands)

Crippled Symmetry: Pt. 1

Palais de Mari for Piano

For Philip Guston: VI. Pt. 6

For Bunita Marcus (1985): page 20

Projection I (1950)

Extensions 3 (1952)

[Untitled film music] (1960): Intro

Loading Time :0.39745807647705