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Andreyev grew up in the town of Kincardine, Ontario, moving with his family to Toronto in 1988. There he enrolled in The Royal Conservatory of Music, studying cello and oboe, as well as composition. Additionally, he experimented on his own, fascinated by rare instruments and the possibilities offered by recording technology. He settled in Paris in 2003 to study composition, initially with Allain G...read more

Classical contemporary classical instrumental experimental Canadian

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Top Tracks of Samuel Andreyev

Shoebox Shuffle A
Pluto's Matches
Songs Take Splitting 1
Mind the Bend
The Tubular West
Shoebox Shuffle B
Half-Dream
Over By the Mantle
Songs Take Splitting 2
Shoebox Shuffle C
Salesmen Without Pictures
Bendings
Winter in Århus
Vérifications: I. —
Onwards and Upwards
Songs Take Splitting 3
Iridescent Notation: I. The Inventor Projected
Rose Window
Morning Flexion
Vérifications: II. —
Vérifications: III. —
Iridescent Notation: II. There are Forty-seven Pictures of her Walking out of Central High
Vérifications: IV. —
Stopping
Iridescent Notation: III. Moonshine
La pendule de profil
5 Pièces: No. 1, —
Iridescent Notation: IV. No Hard Feelings
Passages
Iridescent Notation: V. Pressing, Turning
À propos du concert de la semaine dernière
5 Pièces: No. 2, —
Music with No Edges: I. —
Nets Move Slowly, Yet
Iridescent Notation: VII. Sharpening Aggravation of Perception
5 Pièces: No. 4, —
5 Pièces: No. 3, —
Atonality explained in 7 minutes
Music with No Edges: II. —
5 Pièces: No. 5, —
Introduction
Schoenberg explained in 10 Minutes
Music with No Edges: III. —
Music with No Edges: IV. —
A propos du concert de la semaine dernière
Strasbourg Quartet: I. —
Moving
Événements quotidiens
Bern trio: I.
The Final Days
Bern trio: II.
Strasbourg Quartet: II. —
Le malheur adoucit les pierres: II. -
Night Division: I. Division I
Flex: I.
Flex: III.
Sonata da camera
Strasbourg Quartet: III. —
Iridescent Notation: VI. Come Back, Come Back, O Glittering and White
Flex: II.
Le malheur adoucit les pierres: I. -
Strasbourg Quartet: IV. —
Night Division: II. Nocturne
The Airways
Le malheur adoucit les pierres: III. -
Le malheur adoucit les pierres: IV. -
Bern trio: III.
Le malheur adoucit les pierres: V. -
Night Division: III. Division II
Legions Of Sleeping Crabs
Midnight audition
Bach’s Maddening Wizardry Explained in 10 Minutes
Stacks
In Glow of Like Seclusion: No. 1, All Such to Life
Sextet in 2 Parts: No. 2, —
Sextet in 2 Parts: No. 1, —
PLP
In Glow of Like Seclusion: No. 3, Impromptu I
Lame Drops In
Iridescent Notation: VI. Come Back, Come Back, O Glittering and White!
In Glow of Like Seclusion: No. 5, How Smart We Are
In Glow of Like Seclusion: No. 2, To Eye Apart
Vérifications (2012) for Piccolo, Musette, A-Flat Piccolo Clarinet, Casio Sk-1, Percussion and Cello: I
In Glow of Like Seclusion: No. 6, Impromptu II
Vérifications (2012) for Piccolo, Musette, A-Flat Piccolo Clarinet, Casio Sk-1, Percussion and Cello: II
In Glow of Like Seclusion: No. 4, Not Far
Jim O’Rourke on the Samuel Andreyev Podcast
Stravinsky's late style explained
Phantom Bays
In Glow of Like Seclusion: No. 7, Lark Advent
Interview with John French (Drumbo) on the making of Trout Mask Replica
Closeup
Le malheur adoucit les pierres: II.
Le malheur adoucit les pierres: I.
Le malheur adoucit les pierres: IV.
Le malheur adoucit les pierres: V.
Le malheur adoucit les pierres: III.
Give Yourself a Hand
Vérifications (2012) for Piccolo, Musette, A-Flat Piccolo Clarinet, Casio Sk-1, Percussion and Cello: III
Why you need Carl Ruggles in your life
Anton von Webern, explained in 10 minutes
Context
Swollowed
Vérifications (2012) for Piccolo, Musette, A-Flat Piccolo Clarinet, Casio Sk-1, Percussion and Cello: IV
Adam Neely on YouTube and the Future of Music
Iridescent Notation (2012-17) - Cantata for Soprano Solo and Ensemble: I. The Inventor Projected
Night Division: Nocturne
Night Division: Division II
Night Division: Division I
Stopping (2006) for Two Vibraphones
Flex I-III: I.
Cinq Pièces (2010) for Flute and Percussion: I
Brian Ferneyhough on the Samuel Andreyev Podcast
Does Music Theory Kill Creativity?
Frownland by Captain Beefheart & his Magic Band: Analysis
Cinq Pièces (2010) for Flute and Percussion: II
Iridescent Notation (2012-17) - Cantata for Soprano Solo and Ensemble: II. There Are Forty-Seven Pictures of Her Walking out of Walking out of Central High
Iridescent Notation (2012-17) - Cantata for Soprano Solo and Ensemble: III. Moonshine
Music with No Edges (2004) for Clarinet, Percussion, Viola, Cello and Double Bass: I
Flex I-III: III.
Flex I-III: II.
Cinq Pièces (2010) for Flute and Percussion: III
Strasbourg Quartet (2014/15) for Flute, Clarinet, Percussion and Cello: III
Cinq Pièces (2010) for Flute and Percussion: V
Au traves du cerceau
Cards
Le Malheur Adoucit Les Pierres (2002) for Bass Flute, English Horn and Bassoon: IV.
Vermillion Riot Decay
Penguinonymous
Rond Eau
Canon in 2 Voices
Saltimbanques
The Proper Meets
Iridescent Notation (2012-17) - Cantata for Soprano Solo and Ensemble: IV. No Hard Feelings
Swollows
How did Schoenberg compose Pierrot Lunaire?
Le Malheur Adoucit Les Pierres (2002) for Bass Flute, English Horn and Bassoon: II.
Art Tripp on working with Frank Zappa, John Cage and Captain Beefheart
Strasbourg Quartet (2014/15) for Flute, Clarinet, Percussion and Cello: I
Music with No Edges (2004) for Clarinet, Percussion, Viola, Cello and Double Bass: III
Strasbourg Quartet (2014/15) for Flute, Clarinet, Percussion and Cello: II
Cinq Pièces (2010) for Flute and Percussion: IV
Strasbourg Quartet (2014/15) for Flute, Clarinet, Percussion and Cello: IV
Music with No Edges (2004) for Clarinet, Percussion, Viola, Cello and Double Bass: IV
Passages (2005) for Solo Clarinet
Music with No Edges (2004) for Clarinet, Percussion, Viola, Cello and Double Bass: II
Night Division (2008-10) for Alto Flute, English Horn, Clarinet, Trombone, Piano, Percussion and Double Bass: Nocturne
How to approach contemporary music, explained in 10 minutes
Lighting up for Double Bass Solo
Nets Move Slowly, Yet (2006-07) for Ensemble
Le Malheur Adoucit Les Pierres (2002) for Bass Flute, English Horn and Bassoon: I.
Can I Survive Morton Feldman’s Second String Quartet?
Song Of Crime
Iridescent Notation (2012-17) - Cantata for Soprano Solo and Ensemble: V. Pressing, Turning
Iridescent Notation (2012-17) - Cantata for Soprano Solo and Ensemble: Vi. Come Back, Come Back, O Glittering and White!
Shoebox Shuffle D
À Propos Du Concert De La Semaine Dernière (2013-15) for Piano and Seven Instruments
Night Division (2008-10) for Alto Flute, English Horn, Clarinet, Trombone, Piano, Percussion and Double Bass: Division I
Rhythm
Le Malheur Adoucit Les Pierres (2002) for Bass Flute, English Horn and Bassoon: III.
Why Audiences No Longer Care About Modern Music
Le Malheur Adoucit Les Pierres (2002) for Bass Flute, English Horn and Bassoon: V.
Événements Quotidiens (2011) for Ensemble
Assume low returns at first
Cultivate interest in your own time
Piano Piece n° 1
Assume music is vitally important
Dont expect it to be effortless
get something out of it
General Characteristics
Shoebox Shuffle D
51 Minutes About Harmony // with Julian Anderson
Five Ways to Improve Your Music
Iridescent Notation - III. Moonshine
Iridescent Notation - IV. No Hard Feelings
Iridescent Notation - V. Pressing, Turning
Iridescent Notation - I. The Inventor Projected
Iridescent Notation - VII. Sharpening Aggravation of Perception
Iridescent Notation - II. There Are Forty-Seven Pictures Of Her Walking Out Of Central High
The Strange Case of Jandek: Analysis of 'Naked in the Afternoon'
Le malheur adoucit les pierres - I.
Le malheur adoucit les pierres - V.
Le malheur adoucit les pierres - III.
Le malheur adoucit les pierres - IV.
Le malheur adoucit les pierres - II.
Night Division (2008-10) for Alto Flute, English Horn, Clarinet, Trombone, Piano, Percussion and Double Bass: Division II
songwriters on songwriting
Final Thoughts
suspend judgment
Only You
Rendezvous
approach it as an adventure
To Eye Apart (from In Glow of Like Seclusion)
Expand your musical taste
Emiline
What have you been doing since then
Paris By Night
Extended Techniques Explained in 10 Minutes
A Line Alone (2020)
Music With No Edges: I.
Music With No Edges: III.
Music With No Edges: II.
Strasbourg Quartet: IV.
Music With No Edges: IV.
Strasbourg Quartet: III.
Strasbourg Quartet: II.
Strasbourg Quartet: I.
For Silver
Pluto’s Matches
Piano Piece N° 2
Over By The Minute
For Silver
Episode 41: Matthew Ricketts
John Moraitis: harpsichordist and musicologist
Vérifications: II
Cinq Pièces: V
Cinq Pièces: IV
Cinq Pièces: III
Music With No Edges: IV
Music With No Edges: II
Strasbourg Quartet: I
Vérifications: III
Strasbourg Quartet: II
Music With No Edges: I
Cinq Pièces: I
Strasbourg Quartet: III
Vérifications: IV
Vérifications: I
Cinq Pièces: II
Music With No Edges: III
Strasbourg Quartet: IV
Heinz Holliger's Der Winter III: Analysis
Sextet In Two Parts (2019)
Iridescent Notation - VI. Come Back, Come Back, O Glittering And White!
Music with No. Edges: IV. —
Music with No. Edges: II. —
II.
I.
IV.
III.
Training
Composers: Avoid this cliché!
Locus Solus, III . Volubile
Piano Piece n° VIII, performed by Jana Luksts
II —
5 Pièces: II. —
IV —
I —
5 Pièces: I. —
III —
Nine and a Half Bars
Valvatex
Whichstand
Ladle Days
Regions Reach
The Back Yard
Song Of Night
Opener
Invention
Pathrow's Thirty-Six
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