Listen & view Ted Hearne's lyrics & tabs

Composer, singer, bandleader and recording artist TED HEARNE (b.1982, Chicago) draws on a wide breadth of influences ranging across music's full terrain, to create intense, personal and multi-dimensional works. The New York Times has praised Mr. Hearne for his "tough edge and wildness of spirit," and "topical, politically sharp-edged works." Pitchfork called Hearne's work "some of the most expres...read more

contemporary classical electronic Classical vocal experimental

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Top Tracks of Ted Hearne

Place, Pt. 1: No. 1, Balloons

Place, Pt. 1: No. 2, Boundary

Place, Pt. 2 "Saul Williams": No. 10, This Land Was Worth Every War

Place, Pt. 1: No. 3, Interview

Place, Pt. 1: No. 4, Maps (Appropriation)

Place, Pt. 2: No. 7, Is It OK to Say?

Coloring Book: No. 5, Your People

Sound from the Bench: How to Throw Your Voice

Place, Pt. 1: No. 5, Breakup Letter

Place, Pt. 2: No. 8, What About My Son

Sound from the Bench: (Ch)oral Argument

Place, Pt. 2: No. 10, This Land Was Worth Every War

Place, Pt. 2 "Saul Williams": No. 15, A Thought

Place, Pt. 1: No. 6, Guilt

Sound from the Bench: Mouth Piece

Place, Pt. 3: No. 19, Colonizing Space

What It Might Say (Live)

Privilege: No. 5. We Cannot Leave

Place, Pt. 2 "Saul Williams": No. 12, New Faces

Place, Pt. 2: No. 15, A Thought

Law of Mosaics: I. Excerpts from the Middle of Something

Sound from the Bench: Simple Surgery

Place, Pt. 2: No. 12, New Faces

The Source: Explosive Hazard

Place, Pt. 2: No. 11, The Tales You Tell Your Children

Place, Pt. 2 "Saul Williams": No. 14, Hallelujah in White

Place, Pt. 1 "Ted Hearne": No. 1, Balloons

Place, Pt. 2: No. 13, Running to Us All

The Source: Oh the Shark

Place, Pt. 2: No. 14, Hallelujah in White

Place, Pt. 2 "Saul Williams": No. 7, Is It OK to Say?

Place, Pt. 2: No. 17, You Were Never Comfortable with Intimacy

Privilege: No. 4. They Get It

Place, Pt. 1 "Ted Hearne": No. 5, Breakup Letter

Place, Pt. 2: No. 16, The Guilt That I Feel Is Freedom

Privilege: No. 1. Motive/Mission

Privilege: No. 2. Casino

The Source: S/As Boy/As a Boy

Place, Pt. 2: No. 18, Beneath the Ruins Are Older Ruins

Privilege: No. 3. Burning TV Song

Sound from the Bench: When You Hear

Place, Pt. 2 "Saul Williams": No. 8, What About My Son

The Source: Trust Logs

Place, Pt. 2 "Saul Williams": No. 11, The Tales You Tell Your Children

Place, Pt. 1 "Ted Hearne": No. 3, Interview

The Source: A Young Boy Released Several Pigeons

Place, Pt. 1 "Ted Hearne": No. 6, Guilt

Law of Mosaics: Excerpts from the middle of something

The Source: Criminal Event

The Source: Complex Keys

Katrina Ballads: Dennis Hastert: 9.1.05

The Source: The Marine That Engaged

The Source: Interlude (Don’t Want to Be a Part)

Place, Pt. 1 "Ted Hearne": No. 2, Boundary

Place, Pt. 2 "Saul Williams": No. 17, You Were Never Comfortable with Intimacy

The Source: We Called For Illumination at 1630

Place, Pt. 2 "Saul Williams": No. 13, Running to Us All

[EXPLOSIVE HAZARD]

The Source: Julian in a Nutshell

The Source: Smoke When Bird Nears

The Source: I Encrypt as Much as I Can

Julian in a Nutshell

s/as boy/as a boy

Interlude: Don't want to be a part

Place, Pt. 1 "Ted Hearne": No. 4, Maps (Appropriation)

[A Young Boy Released Several Pigeons]

[CRIMINAL EVENT]

I Encrypt as Much as I Can

Hearne: Lobby Music

[Smoke when bird nears]

Katrina Ballads: Prologue: Keeping Its Head above Water

[We called for illumination at 1630]

[The marine that engaged]

Katrina Ballads: Kanye West: 9.2.05

Katrina Ballads: Brownie You're Doing a Heck of a Job

Place, Pt. 2 "Saul Williams": No. 18, Beneath the Ruins Are Older Ruins

Katrina Ballads: When We Awoke, It Was to That Familiar Phrase: New Orleans Dodged a Bullet

Law of Mosaics: Climactic moments from Adagio for Strings and The Four Seasons, slowed down and layered on top of one another

Katrina Ballads: Hardy Jackson

Law of Mosaics: Palindrome for Andrew Norman

Place, Pt. 2 "Saul Williams": No. 16, The Guilt That I Feel Is Freedom

Katrina Ballads: Interlude 2

Katrina Ballads: Interlude 1

Katrina Ballads: Anderson Cooper and Mary Landrieu: 9.1.05

Katrina Ballads: Bridge to Gretna

The Answer to the Question That Wings Ask

Katrina Ballads: Barbara Bush: 9.5.05

Furtive Movements: I. —

For the Love of Charles Mingus

Law of Mosaics: Beats

Katrina Ballads: Ashley Nelson

The Lion Tamer's Daughter Vs. the Ledge

Crispy Gentlemen

Furtive Movements: II. —

Law of Mosaics: Climactic moments from movement three, three times as slow as before

A Wedding, or What We Unlearned from Descartes

Privilege: II. Casino

Privilege: III. Burning tv song

Furtive Movements: III. —

Privilege: I. Motive/mission

Privilege: V. We cannot leave

We called for illumination at 1630

Privilege: IV. They get it

Brownie, You're Doing a Heck of a Job

Nobody's (Version for Viola)

Law of Mosaics: The warp and woof

Furtive Movements: IV. —

String Quartet No. 1 "Exposure": I. Adjacencies

Sound from the Bench: III. (Ch)oral Argument

Sound from the Bench: I. How to Throw Your Voice

The One You Guard the Most

Kanye West: 9.2.05

String Quartet No. 1 "Exposure": III. Overlay (For David Lang)

String Quartet No. 1 "Exposure": II. Everyone Keeps Me

Explosive Hazard

when we awoke, it was to that familiar phrase: new orleans dodged a bullet

Furtive Movements: I.

Furtive Movements: II.

String Quartet No. 1 "Exposure": IV. Everyone Keeps Me

We Cannot Leave

Bridge to Gretna

Prologue: Keeping Its Head Above Water

Oh the Shark / [Trust Logo]

Sound from the Bench: II. Mouth Piece

Furtive Movements: IV.

Hardy Jackson: 8.30.05

The Marine That Engaged

Sound from the Bench: V. When You Hear

What About My Son?

Smoke when bird nears

Furtive Movements: III.

Dennis Hastert: 8.31.05

Running to Us All (written for hands over mouths)

Hallalujah in White

Colonizing Space

Beneath the ruins are older ruins.

You Were Never Comfortable With Intimacy

The Guilt That I Feel Is Freedom

The Tales You Tell Your Children

Nobody's - for Solo Violin

Sound from the Bench: IV. Simple Surgery

This Land Was Worth Every War

Maps (Appropriation)

Is it ok to say?

Barbara Bush: 9.5.05

A Young Boy Released Several Pigeons

Everything reminds me of her

Exposure: II. Everyone keeps me

Exposure: III. Overlay (for David Lang)

Partition mvt. 5 - (Not so)

Exposure: IV. Everyone keeps me

Partition mvt. 4 - Unsettlement

Partition mvt. 3 - Music

free fucked (1)

Anderson Cooper and Mary Landrieu: 9.1.05

Exposure - II. Everyone keeps me

Partition mvt. 2 - Proximity

Exposure - IV. Everyone keeps me

Exposure - III. Overlay (for David Lang)

Exposure: I. Adjacencies

Exposure - I. Adjacencies

.....WYDWYBS: Charleston

Illuminating the Maze

.....WYDWYBS: Dayton

We Didn't Know (Lawson 5)

.....WYDWYBS: Virginia

Never Said Nothing

.....WYDWYBS: Dayton

We Didn't Know (Lawson 5)

.....WYDWYBS: Virginia

Heartened [Daniel Wohl]

How it goes [Taylor Levine]

Dirty to love [Leah Coloff]

Seventeen [Philip White]

Kanye West - 9.2.05

No. 1, Balloons

Anderson Cooper and Mary Landrieu - 9.1.05

Barbara Bush - 9.5.05

Interlude (Don’t Want to Be a Part)

359 Each Time (mix 3)

The Source - A Young Boy Released Several Pigeons

The Source - Trust Logs

The Source - Oh the Shark

The Source - Explosive Hazard

Law Of Mosaics - Palindrome For Andrew Norman

359 each time_rehearsal

Law Of Mosaics - Excerpts From The Middle Of Something

The Source - Julian in a Nutshell

The Source - S/As Boy/As a Boy

Law Of Mosaics - Beats

Mass for St. Mary's: Agnus Dei (final)

Anderson Cooper and Mary Landrieu

Ambitioning (Lawson 8)

Shame Campaign (mix 2)

Dennis Hastert - 8.31.05

Kanye West - Too Easy (Finished) | DONDA 2

Excerpts from the middle of something (from Law of Mosaics)

Brownie, you're doin' a heck of a job

Ted Hearne - [EXPLOSIVE HAZARD]

Partition mvt. 1 - Partition

Two Katrina Ballads

Kanye West - 80 Degrees (Hurricane) (feat. Ant Clemons & Ty Dolla $ign) New Cut

Dennis Hastert: 9.1.05

Furtive Movements - I.

Building Discpline

Furtive Movements - IV.

Furtive Movements - II.

Furtive Movements - III.

.....WYDWYBS v2.0

Katrina Ballads - Prologue: Keeping Its Head above Water

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