Listen & view Thomas Adès's lyrics & tabs

Thomas Adès (born in London, 1 March 1971) is a British composer, pianist and conductor. Adès studied piano with Paul Berkowitz and later composition with Robert Saxton at Guildhall School,London. He graduated in 1992 from King's College, Cambridge after studying with Alexander Goehr and Robin Holloway. His degree was classified as "double starred first", indicating outstanding academic distinc...read more

contemporary classical Classical 20th Century Classical Avant-Garde composers

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Top Tracks of Thomas Adès

Colette
Arcadiana, Op. 12: VI. O Albion
Snow Globe
Polaris "Voyage for Orchestra"
Arcadiana: VI. O Albion
Traced overhead Op. 15 (1990): Sursum
Arcadiana, Op. 12: 6. O Albion (Arr. Clements)
Adès: Traced Overhead, Op. 15: I. Sursum
Darknesse visible
Adès: Les baricades mistérieuses
The Four Quarters: I. Nightfalls
Asyla, Op. 17: III. Ecstasio
The Branch - Grand Piano
Tevot
Märchentänze (Orchestral Version): III. A Skylark for Jane
Valse Du Salon
15 Moravian Folk Songs (Piano): 11. Bezi voda, bezi
Arabesque (Debussy)
Colette’s Journey
Adès: The Fayrfax Carol
Polaris
Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 5: Nineteen Fifty-Three: Is Daddy Squiffy?
Concerto for Piano and Orchestra: 2. - - Live at Symphony Hall, Boston / 2019
The Branch - Upright Piano
In Seven Days: Fugue. v. Creatures of the Sea and Sky
Violin Concerto, Op. 23, "Concentric Paths": I. Rings
Concerto for Piano and Orchestra: 1. - - Live at Symphony Hall, Boston / 2019
The Fayrax Carol
The Fayrfax Carol
Concerto for Piano and Orchestra: 3. - - Live at Symphony Hall, Boston / 2019
Adès: Dante, Pt. I "Inferno": I. Abandon Hope—
Asyla, Op. 17: IV. Fourth Movement
Willy’s Arrival
Posthumous Piano Pieces: Moderato
Adès: Dante, Pt. I "Inferno": XII. The Thieves—devoured by reptiles
Gnossienne No 1 Lent (Satie)
In Seven Days: iv. Stars – Sun – Moon
Posthumous Piano Pieces: Narodil se Kristus Pán
Etching Montage
The Lake
Sonata No. 2: I. Fuga
In Seven Days: vii. Contemplation
Adès: Dante, Pt. I "Inferno": V. Paolo and Francesca—the endless whirlwind
Flesh
Arcadiana, Op. 12: I. Venezia notturna
Arcadiana, Op.12 (1994): VI. O Albion
The Tempest, Act 1: Scene I: Hell is empty
La Vagabonde
In Seven Days: i. Chaos – Light – Dark
Asyla, Op. 17: I. First Movement
Claudine A Paris
Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps
Piano Quintet: I
Totentanz: Der Prediger - Live at Symphony Hall, Boston / 2016
In Seven Days: Fugue. vi. Creatures of the Land
These Premises Are Alarmed
Under Hamelin Hill Op. 6: Fuga (2-6 hands)
Colette Is Free
Willy Finds the Manuscripts
Claudine A L’Ecole Print
Adès: Dante, Pt. I "Inferno": IV. Pavan of the Souls in Limbo—
These are the Copses
15 Moravian Folk Songs (Piano): 13. Na cernej hore sedlácek ore
Asyla, Op. 17: II. Second Movement
Concert Paraphrase on Powder Her Face: I
Adès: Dante, Pt. I "Inferno": III. The Ferryman
Asyla: I
Claudines Are Everywhere
Still sorrowing Op. 7
Septet in E Flat Major Op65 IV (Saint Saens)
Arrival at the Theatre
Arcadiana: I. Venezia notturno
Asyla, III: Ecstasio
Totentanz: Der Tod - Live at Symphony Hall, Boston / 2016
Arcadiana: VII. Lethe
Jules Colette Burial
Arcadiana: II. Das klinget so herrlich, das klinget so schön
3 Studies from Couperin: No. 1. Les Amusemens
Concert Paraphrase on Powder Her Face: II
Polaire’s Arrival
Still Need Your Headmaster
Lost Your Touch
Missy and Colette
The Four Quarters: III. Days
Adès: Dante, Pt. I "Inferno": VI. The Gluttons—in slime
Arcadiana: III. Auf dem Wasser zu singen
Dream of Egypt
The Tempest, Act 1, Scene II: Oh Father
Mazurkas for Piano, Op.27: Second Mazurka
Totentanz: Der Tod zum Papst – Der Papst - Live at Symphony Hall, Boston / 2016
Mazurkas for Piano, Op.27: First Mazurka
Anger by the Seine
Arcadiana, Op. 12: III. Auf dem Wasser zu singen
Posthumous Piano Pieces: Malostranský palác
Chamber Symphony, Op.2: I
The Four Quarters: IV. The Twenty-Fifth Hour
Arcadiana: V. L'Embarquement
Five Eliot Landscapes Op. 1: I. New Hampshire
Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees—
The Four Quarters: II. Serenade - Morning Dew
Arcadiana, Op. 12: II. Das klinget so herrlich, das klinget so schön
Totentanz: Der Tod zum Kaiser – Der Kaiser - Live at Symphony Hall, Boston / 2016
Arcadiana: IV. Et... (Tango mortale)
Mazurkas for Piano, Op.27: Third Mazurka
Mazurkas for Piano, Op.27: Third Mazurka
Piano Quintet: II
Piano Quintet: III
Adès: Dante, Pt. I "Inferno": VIII. The Deviants—on burning sand—
Vzpomínka (piano)
Concert Paraphrase on Powder Her Face: III
Adès: Dante, Pt. I "Inferno": XI. The Hypocrites—in coats of lead
Adès: Dante, Pt. I "Inferno": IX. The Fortune-tellers—facing both ways
Catch, Op. 4
Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise—
Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first—
Arcadiana, Op. 12: VII. Lethe
Adès: Violin Concerto, "Concentric Paths": I. Rings
Souvenir
Berceuse from "The Exterminating Angel"
Totentanz: Der Tod zum König – Der König - Live at Symphony Hall, Boston / 2016
In Seven Days: iii. Land – Grass – Trees
Totentanz: Der Tod zum Mönch – Der Mönch - Live at Symphony Hall, Boston / 2016
Asyla: III Ecstasio
Concert Paraphrase on Powder Her Face: IV
The Tempest, Act 1, Scene II: Miranda - you are my care
Adès: Dante, Pt. I "Inferno": XIII. Satan—in the lake of ice
Chamber Symphony, Op.2: II
Totentanz: Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister - Live at Symphony Hall, Boston / 2016
Adès: Dante, Pt. III "Paradiso": Awakening—Moon—Mercury—Venus—Sun—Mars—Jupiter (The Eagle)—Saturn (The Golden Ladder)—Fixed Stars—Empyrean
Nancarrow Studies: Study No. 6
Totentanz: Der Tod zum Arzt – Der Arzt – Der Tod zum Wucherer – Der Wucherer - Live at Symphony Hall, Boston / 2016
Concerto Conciso: I
Adès: Dante, Pt. II "Purgatorio": II. Mount Purgatory—
Arcadiana, Op.12 (1994): I. Venezia notturna
Totentanz: Der Tod zum Kaufmann – Der Kaufmann - Live at Symphony Hall, Boston / 2016
In Seven Days: ii. Separation of the waters into sea and sky
Traced overhead Op. 15 (1990): Aetheria
Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession—
Adès: Dante, Pt. II "Purgatorio": I. Dawn on the Sea of Purgatory—
Adès: Dante, Pt. II "Purgatorio": VII. The Ascent
Arcadiana, Op. 12: IV. Et… (tango mortale)
Powder Her Face (An Opera In Two Acts) Op.14, Act I: Overture (Orchestra)
Tussebrureferda pa Vossevangen. Gangar Op. 72 No. 14
In Seven Days: IV. Stars - Sun - Moon (Live)
The Tempest, Act 1, Scene II: What you hvae told me
Totentanz: Der Tod zum Küster – Der Küster – Der Tod zum Küster - Live at Symphony Hall, Boston / 2016
Chamber Symphony, Op.2: IV
Adès: Dante, Pt. II "Purgatorio": III. The Valley of Flowers—
Totentanz: Der Tod zum Kind – Das Kind - Live at Symphony Hall, Boston / 2016
America: Part I Oh my nation prepare...
Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire—
Piano Quintet: 1
The Tempest, Act 1: Scene III: Fear. Fear to the sinner
The Tempest, Act 1, Scene V: Five Fathoms deep
Traced overhead Op. 15 (1990): Chori
Totentanz: Der Handwerker – Der Tod zum Handwerker - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Bauer – Der Bauer - Live at Symphony Hall, Boston / 2016
Catch Op. 4
...but all shall be well
Adès: Violin Concerto, "Concentric Paths": III. Rounds
Totentanz: Der Tod zum Mädchen – Das Mädchen - Live at Symphony Hall, Boston / 2016
15 Moravian Folk Songs (Piano): 2. Ked' si já zazpívám
Adès: Violin Concerto, "Concentric Paths": II. Paths
Arcadiana, Op. 12: V. L'Embarquement
Chamber Symphony, Op.2: III
Violin Concerto, Op. 23, "Concentric Paths": II. Paths
Skulkalsbrura. Gangar Op. 72 No. 15
Brahms, Op. 21
Les Baricades mistérieuses
The Tempest, Act 1: Scene IV: Sorcerer die
Adès: Darknesse Visible
Living Toys, Op.9 (1993): I. Angels -
Posthumous Piano Pieces: Cekam Te!
The Fayrfax Carol [1997 – Premiere]
The Tempest, Act 1: Scene VI: As i sat weeping
15 Moravian Folk Songs (Piano): 15. V tem hruseckém cirém poli
Concerto Conciso: II -
Alchymia: III. Lachrymae
The Tempest, Act 1, Scene V: Sir? Have you recovered them?
Adès: Violin Concerto, Op. 23 "Concentric Paths": I. Rings
Traced Overhead 1: Sursum
Dances from Powder Her Face: Overture
Adès: Tevot, Op. 24
Asyla: II
Violin Concerto, Op. 23, "Concentric Paths": III. Rounds
Violin Concerto: Rings
Adès: Traced Overhead, Op. 15: II. Aetheria
Concerto Conciso: [dotted crotchet = 116]
Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 7: Nineteen Seventy: Interlude Fifty-Eight, Seventy-Nine (Duchess)
Arcadiana, Op.12 (1994): II. Das klinget so herrlich, das Iklinget so schön
3 Studies from Couperin: No. 3. L'Ame-en-peine
Arcadiana, Op.12 (1994): III. Auf dem Wasser zu singen
Violin Concerto, "Concentric Paths": I. Rings
Arcadiana, Op.12 (1994): IV. Et....(tango mortale)
Piano Quintet: 2
Arcadiana, Op.12 (1994): VII. Lethe
The Tempest, Act 2, Scene I: Alive, awake
Life story Op. 8b (1990)
Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 1: Nineteen Ninety: Oo, Aa! Ha Ha Ha Ha Ha (Maid/Electrician)
Alchymia: II. The Woods So Wild
Adès: Asyla, Op. 17: IV. (without title)
Piano Quintet: 3
Alchymia: I. A Sea-Change (…Those Are Pearls…)
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): I. —
Arcadiana, Op.12 (1994): V. L'Embarquement -
Three Canons for Ursula: Canon 5/7
Shanty – Over the Sea
The Tempest, Act 2, Scene I: I had the notion I flew
The Tempest, Act 2, Scene I: I had the notion I flew
The Tempest, Act 2, Scene II: A monster!
Violin Concerto: Paths
Arcadiana, Op. 12 (1994): VI. O Albion
Traced Overhead 2: Aetheria
The Tempest, Act 3, Scene I: (Orchestral)
Nancarrow Studies: Study No. 7
3 Studies from Couperin: No. 2. Les Tours de passe-passe
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): II. —
The Tempest, Act 2: Scene IV: What was before
The Tempest, Act 2, Scene II: Friends don't fear...
The Tempest, Act 2, Scene II: We'll find the prince
The Tempest, Act 2: Scene III: They won't find him
15 Moravian Folk Songs (Piano): 4. Marys, moja Marys
Dances from Powder Her Face: Waltz
Blanca Variations
The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo
Adès: Arcadiana, Op. 12: VI. O Albion
In Seven Days: I. Chaos - Light - Darkness (Live)
Violin Concerto: Rounds
15 Moravian Folk Songs (Piano): 14. Na Javorine
First Mazurka
The Tempest, Act 3, Scene I: This way
On an Overgrown Path, Series I: Our Evenings
Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 1: Nineteen Ninety: I See. This Is What It Has Come To
Living Toys, Op.9 (1993): III Militiamen -
Living Toys, Op.9 (1993): II. Aurochs -
The Tempest, Act 3, Scene II: Spirit must I right
Living Toys, Op.9 (1993): BALETT -
Cardiac Arrest
On an Overgrown Path, Series I: A Blown-Away Leaf
Polaris: Voyage for Orchestra
Three Studies from Couperin: Les Amusemens
Second Mazurka
January Writ
Traced Overhead 3: Chori
The Tempest, Act 3, Scene III: Father
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): IV. —
Mazurkas: No. 1, Moderato, molto rubato
In the Mists: Presto
Sonata da Caccia, Op.11 (1993): I. Gravement -
The Tempest, Act 3, Scene IV: How good they are
In Seven Days: II. Separation of the Waters into Sea and Sky - Reflection Dance (Live)
Adès: Asyla, Op. 17: III. Ecstasio
Dances from Powder Her Face: Finale
Violin Concerto, "Concentric Paths": II. Paths
Mazurkas: No. 2, Prestissimo molto espressivo
Adès: Asyla, Op. 17: I. —
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): III. —
Adès: Asyla, Op. 17: IV. —
The Tempest, Act 3, Scene II: Fool. You've tired us out
The Tempest, Act 3, Scene II: Murder!
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