Listen & view Tim Brady's lyrics & tabs

Tim Brady, jazz guitarist, Canada Known for his radiant orchestrations, his dramatic structures and his innovative guitar work, Canadian Tim Brady is a composer and guitarist who has created music in a wide range of genres ranging from chamber and orchestral music to electroacoustic works, chamber opera, contemporary dance scores, jazz and free improvisation. He has been commissioned and performed...read more

seen live Canadian guitar improv free-jazz

Similar Artists of Tim Brady

René Lussier

灰野敬二 & Derek Bailey

灰野敬二 & Derek Bailey

Evan Parker & John Russell

Evan Parker & John Russell

Lauren Newton & Thomas Horstmann

Lauren Newton & Thomas Horstmann

Han Bennink / Eugene Chadbourne

Han Bennink / Eugene Chadbourne

Top Tracks of Tim Brady

Imaginary Guitars

24 Frames: Switch: Liquid

24 Frames: Switch: Singularity

24 Frames: Switch: Seconds

24 Frames: Switch: Melismatic

24 Frames: Trance

24 Frames: Invisible Quartet

24 Frames: Sul A

As Softly Sounds

24 Frames: Switch: Leaps

Playing Guitar: Symphony #1: 5.1: Chromatics, Harmonics, Recidivist Thirds and Pulsing Fifths (guitar solo)

Yellow, Add Green

24 Frames: Scatter

Linear Projection in a Jump Cut World

minor révolutions

Simple Loops in Complex Times: I. —

24 Frames: Threefold Scordatura: Push

24 Frames: In Almost Unison

24 Frames: Canonic Strategies

Unison Rituals (for Saxophone Quartet)

24 Frames: O is for Ostinato

24 Frames: Delay Tactics: Clouds

Playing Guitar: Symphony #1: 1: Wood, Metal, Skin and Strings (drum solo)

24 Frames: Four Elements: #2

60% (Just Water)

Minimal Surface

Collapsing Possibility Wave

Difference Engine #1, #2, #3

24 Frames: Threefold Scordatura: Pull

24 Frames: Shadow

24 Frames: Delay Tactics: Discretion

Symphony In Two Parts

At Sergio’s Request

Playing Guitar: Symphony #1: 2: Slide

Symphony No. 3, "Atacama": IV. Telegrama

Invention VI - Three Trees

Invention VIII - ...Of Julie's Dance...

Invention V - Swirling

Violin Concerto "Requiem 21.5": II. —

Invention I - Opening

Symphony No. 3, "Atacama": I. Sonata di Pintor

24 Frames: Four Elements: #3

24 Frames: Four Elements: #1

Uncertain Impact

Double Quartet (Hommage à Dmitri Chostakovitch): An Infinity of Four

approximate silence

Simple Loops in Complex Times: II. —

Invention IX - Tut

Playing Guitar: Symphony #1: 4: Triple Cadenza (reverse guitars)

Invention X1 - Closing

Symphony No. 3, "Atacama": V. Atacama

Pandemonium Architecture

Symphony No. 3, "Atacama": II. El Baile de la Red

Invention X - Trains

Playing Guitar: Symphony #1: 3.2: Playing Almost Nothing But Thirds

Simple Loops in Complex Times: III. —

Symphony No. 3, "Atacama": III. Funeral Descalzo

24 Frames: Four Elements: #4

24 Frames: Threefold Scordatura: Hold

Frame 22: Switch-Seconds

24 Frames: Delay Tactics: Slant

24 Frames: Five Colours: Tenné

24 Frames: Five Colours: Lava

24 Frames: Five Colours: Sienna

24 Frames: Delay Tactics: Pursuit

24 Frames: Five Colours: Harlequin

Two Chords Less Than a Blues

24 Frames: Five Colours: Azure

Time Lapse Exposure

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Reprise, letters, Aug. 15, 1939 and July 1, 1939 (N. Bethune)

Frame 22: Switch-Singularity

Le Chant des baleines

Revolutionary Songs: II. When I Return

Strumming (Hommage à John Lennon)

Traces (Hommage à Charlie Christian)

Hommage à Rosa Luxemburg (Casino Adagio)

Double Quartet (Hommage à Dmitri Chostakovitch): Impossible Pizzicato Machine

effortless actions, just slightly imperfect

Invention II - Marla's Dance

Invention III - Gwen's Dance

Invention VII - Brutal Motion

Invention IV - The Box

Violin Concerto "Requiem 21.5": I. —

Playing Guitar: Symphony #1: 3.1: A Really Big Guitar (sampler solo)

only the necessary equipment

At Sergio's Request

The Virtuosity of Time: IV. —

Twenty Quarter Inch Jacks: Closing

Twenty Quarter Inch Jacks: Closing

Triple Concerto: Because Everything Has Changed III

Frame 22: Switch-Liquid

Two Chords Less Thana Blues (for Piano/Percussion/Tenor Saxophone)

Double Helix (for Piano/Percussion/Cello/Alto/Baritone/Soprano Saxophones)

Escapement (for Electric Guitars/Percussion/Cello/Soprano Saxophone)

Incertitude Pourpre

Struck Twice by Lightning

Symphony No. 4, "The How And The Why Of Memory"

Violin Concerto "Requiem 21.5": III. —

II. El Baile de la Red

time as calculated intrusion

The Virtuosity of Time: II. —

more, or less, than the sum of the part

Symphony No. 3, "Atacama": VI. Where are you from? - Primer Nocturno - Que Alguien Escuche

assume an error in the source code

fragmentary intentions

Triple Concerto: Because Everything Has Changed I

mvt. 1 wood, metal, skin and strings (drum solo)

Sauchiehall Street

Frame 1 - Resonance

Harmonic Fields

The Same River Twice "Symphony No. 5.0": II. Float

The Same River Twice "Symphony No. 5.0": Solo 2

Twenty Quarter Inch Jacks: Opening

Triple Concerto: Because Everything Has Changed

Equal but Opposite Reactions

Circling (Lisa Daoust, flute & Marie-Josee Simard, percussion)

Sound Off (for 12 Trumpets/12 Trombones/15 Saxophones/3 Bass Drums)

Scene 1 - Montréal: Poem, An Immigrant (Dorothy Livesay, Montreal)

Playing Guitar: Symphony #1: 5.2: A Half Dozen Ostinatos

Dark Matter (Primal Pulse)

Three or Four Days After the Death of Kurt Cobain

Frame 22: Switch-Leaps

Frame 22: Switch-Melismatic

Double Quartet (Hommage à Dmitri Chostakovitch): Hocket, Canon, Fugue

Twenty Quarter Inch Jacks: Harmonic Fields

Twenty Quarter Inch Jacks: Waves

Twenty Quarter Inch Jacks: Big Chords

Twenty Quarter Inch Jacks: Metal

Twenty Quarter Inch Jacks: An Alphabet of Guitarists

Uncertain Impact (Quartet)

noise: or who decides what and why

As It Happened: I. Action - II. Reaction - III. Radio Landscape

Triple Concerto: Because Everything Has Changed IV

The Virtuosity of Time: I. —

Triple Concerto: Because Everything Has Changed II

Twenty Quarter Inch Jacks: Harmonic Fields

The Same River Twice "Symphony No. 5.Solo": II. Thaw

The Same River Twice "Symphony No. 5.Solo": III. Burn

Twenty Quarter Inch Jacks: Waves

Twenty Quarter Inch Jacks: Big Chords

The Same River Twice "Symphony No. 5.0": III. A Somewhat Eccentric Waltz

Twenty Quarter Inch Jacks: Metal

The Same River Twice "Symphony No. 5.Solo": I. Freeze

Twenty Quarter Inch Jacks: An Alphabet of Guitarists

An Alphabet of guitarists

Saxophone Quartet 1998: III. —

The Physics Of Seduction (Invocation No. 1)

Roche Noire (Chronique Irlandaise)

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Poem, Untitled (Lu Xun, China)

The Same River Twice "Symphony No. 5.0": I: Riff, Solo One

III. Funeral Descalzo

Mvt 3.1 A Really Big Guitar (Sampler Solo)

Mvt 4 Triple Cadenza (Reverse Guitar)

Scene 2 - Madrid: The Evacuation of Malaga, pamphlet, Feb. 7, 1937 (N. Bethune)

24 Frames: Still

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Final letter, Nov. 11, 1939 (N. Bethune)

Scene 1 - Montréal: Prelude: Three Cities: You Must Remember (Pai-Chou-En) poem, To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (

Mvt 5.2 A Half Dozen Ostinatos

Mvt 5.1 Chromatics, Harmonics, Recidivist Thirds And Pulsing Fifiths (Guitar Solo)

24 Frames: Resonance

Mvt.1 Wood, Metal, Skin And Strings (Drum Solo)

Scene 1 - Montréal: Prelude: Three Cities: You Must Remember (Pai-Chou-En) poem, To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (N. Bethune); poem: To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (N. Bethune)

Lineaer Projection In A Jump Cut World

Twenty Quarter Inch Jacks: Lassus

Saxophone Quartet 1998: II. —

Saxophone Quartet 1998: I. —

Saxophone Quartet 1998: IV. —

Scene 1 - Montréal: Poem, Depression Suite (Dorothy Livesay, Montreal)

Scene 1 - Montréal: Incantation 1, letter, Nov. 6, 1935 (N. Bethune)

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Incantation 2, letter, Aug. 15, 1939 (N. Bethune)

Scene 2 - Madrid: Poem, I Come from Cuatro Caminos, Jan. 1937 (N. Bethune)

SCAT (because we all have voices and stories to tell) - 2

Sound Off (For 12 Trumpets, 12 Trombones, 15 Saxophones, 3 Bass Drums)

SCAT (because we all have voices and stories to tell) - 1

[no title given]

Escapement (For Electric Guitars , Percussion, Cello, Soprano Saxophone)

Mvt. 3.1 A Really Big Guitar (Sampler Solo)

Mvt. 4 Triple Cadenza (Reverse Guitars)

Mvt. 5.2 A Half Dozen Ostinatos

Mvt. 3.2 Playing Almost Nothing But Thirds

SCAT (because we all have voices and stories to tell) - 3

Music Box Bell Curves ("Hello Paris!")

Triple Concerto mvt. 1

The Virtuosity of Time – movement 3

The Virtuosity of Time – movement 2

Simple Loops In Complex Times: I

The Virtuosity of Time – movement 4

The Virtuosity of Time – movement 1

Revolutionary Songs: V. Mañana

How do you calculate burn rate, runway and growth rate?

Playing Guitar: Symphony #1: 1: Wood, Metal, Skin and String

BLUESY JAM (3-25-12)

Twenty Quarter Inch Jacks: Lassus

Uncommercial Commercials - Soma Pharmaceutical

Movement 3.1 - A really big guitar

Frame 22: Switch: Leaps

Lightning Field - Darkness/Illumination

Pipe Down Tbrady edit

The Virtuosity of Time III

String Quartet No. 2 "Journal"

Viola Concerto (Live)

Lightning Field - Darkness / Illumination - 1

Revolutionary Songs: Chuchotements

Quartet 1998: I.

Saxophone Quartet 1998: II. —

Saxophone Quartet 1998: I. —

Saxophone Quartet 1998: IV. —

Scene 1 - Montréal: Poem, Depression Suite (Dorothy Livesay, Montreal)

Scene 1 - Montréal: Incantation 1, letter, Nov. 6, 1935 (N. Bethune)

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Poem, Autumn 1939, (Dorothy Livesay, Montreal)

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Prelude

Scene 3 - Chin Ch’a Chi (now: Shanxi-Charhar-Hobei): Incantation 2, letter, Aug. 15, 1939 (N. Bethune)

Invention X: Trains

Scene 2 - Madrid: Poem, I Come from Cuatro Caminos, Jan. 1937 (N. Bethune)

Scene 2 - Madrid: Prelude: El Segador (songs from the Spanish Civil War)

Scene 1 - Montréal: Letter, Oct. 8, 1935 (N. Bethune)

Loading Time :0.41541004180908