Listen & view Barbara Hannigan's lyrics & tabs

Barbara Hannigan CM (born 8 May 1971) is a Canadian soprano and conductor, known for her performances of contemporary opera. Education Hannigan's initial musical education came from music teachers in her hometown of Waverley, Nova Scotia, in Halifax. After growing up in Waverley, Hannigan moved to Toronto at the age of 17. She studied music at the University of Toronto, where her teachers include...read more

conductor soprano seen live Classical opera

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Top Tracks of Barbara Hannigan

The Epitaph Of Charlie Parker (The Funeral) - Vocal Version Of "Visa"

Part I. Let me tell you how it was

Girl Crazy Suite

No. 3, Die Nachtigall

Part III. I will go out now

Djamila Boupacha for Soprano Solo

The Epitaph Of Charlie Parker (The Funeral)

No. 7, Sommertage

Lulu Suite: I. Rondo

Ideale Landschaft

Vier Lieder, Op. 2: Erwartung

Dutilleux: Correspondances - For Soprano And Orchestra - 1. Gong (1)

2. Danse cosmique

Lulu Suite: III. Lied der Lulu

Part I. O but memory is not one but many

Part I. There was a time, I remember

O Vis Aeternitatis

3. A Slava et Galina

No. 2, Schilflield

II. Allegro di molto

Lulu Suite: II. Ostinato

Fünf Lieder nach Gedichten von Richard Dehmel: Ideale Landschaft

III. Minuet - Trio

Part II. Let me tell you how it is

Vier Lieder, Op. 2: Schenk Mir Deinen Goldenen Kamm (Jesus Bettelt)

No. 5, Im Zimmer

Dutilleux: Correspondances - For Soprano And Orchestra - 2. Danse cosmique

Part II. Now I do not mind

Lulu Suite: IV. Variationen

Trois Mélodies: Les Anges

Vier Lieder, Op. 2: Erhebung

No. 1, Bail avec Mi (pour ma femme)

Fünf Lieder nach Gedichten von Richard Dehmel: Am Ufer

Part III. I know you are there

No. 6, Liebesode

No. 4, Traumgekrönt

Vier Lieder, Op. 2: Waldsonne

Lulu Suite: V. Adagio

Dutilleux: Correspondances - For Soprano And Orchestra - 3. A Slava et Galina

The Importance of Being Earnest, Act I: "Auld Lang Syne"

5. De Vincent à Théo

Trois Mélodies: Élegie

Fünf Lieder nach Gedichten von Richard Dehmel: Himmelfahrt

Fünf Lieder nach Gedichten von Richard Dehmel: Nächtliche Scheu

Fünf Lieder nach Gedichten von Richard Dehmel: Helle Nacht

Girl Crazy Suite (After G. Gershwin)

Let Me Tell You, Pt. I: Let Me Tell You How It Was

Portrait de Socrate

Dutilleux: Correspondances - For Soprano And Orchestra - 4. Gong (2)

Dutilleux: Correspondances - For Soprano And Orchestra - 5. De Vincent à Théo

Trois Mélodies: Sylvie

Let Me Tell You for Soprano and Orchestra: Part I: Let me tell you how it was

Socrate: Portrait de Socrate

IV. Finale. Presto

Sieben Frühe Lieder: Nacht

The Epitaph Of Charlie Parker (The Funeral) (Vocal Version Of "Visa")

No. 4, Warm die Lüfte

Let Me Tell You, Pt. I: O but Memory Is Not One but Many

No. 1, Aus Dem Schmerz sein Recht

Les Bords d'illissus

Interlude - II. La mort de la civilisation

Trois Autres Mélodies: Chanson

I. Bedächtig, nicht eilen

No. 2, Schlafend trägt man mich in mein Heimatland

Sieben Frühe Lieder: Schilflied

Fünf Lieder: Die Stille Stadt

Interlude - III. La mort de la voix

Trois Autres Mélodies: Chanson médiévale

Mort de Socrate

Let Me Tell You, Pt. I: There Was a Time, I Remember

Sieben Frühe Lieder: Die Nachtigall

Let Me Tell You for Soprano and Orchestra: Part I: O but memory is not one but many

Symphony No. 49 in F Minor, Hob. I: 49 'La Passione': IV. Finale. Presto

Trois Autres Mélodies: Les fleurs

Let Me Tell You, Pt. III: I Will Go out Now

Let Me Tell You, Pt. II: Let Me Tell You How It Is

Part One, Scene I: Chorus of Angels I

No. 3, Nun ich der Riesen Stärksten überwand

Let Me Tell You, Pt. III: I Know You Are There

Sieben Frühe Lieder: Im Zimmer

Sieben Frühe Lieder: Liebesode

Sieben frühe Lieder: Traumgekrönt

NPR Music Tiny Desk Concert

Symphony No. 49 in F Minor, Hob. I:49 'La Passione': I. Adagio

Vier Lieder: Licht In Der Nacht

Sieben Frühe Lieder: Sommertage

Symphony No. 49 in F Minor, Hob. I:49 'La Passione': II. Allegro di molto

II. In gemächlicher Bewegung, ohne Hast

Let Me Tell You, Pt. II: Now I Do Not Mind

Fünf Lieder: Ich Wandle Unter Blumen

Let Me Tell You for Soprano and Orchestra: Part I: There was a time, I remember

Let Me Tell You for Soprano and Orchestra: Part II: Let me tell you how it is

Let Me Tell You, Pt. 1: Part 1: Let me tell you how it was

Socrate: Les Bords d'illissus

Socrate: Mort de Socrate

III. Ruhevoll, poco adagio

Lieder, Op. 2: Empfängnis

Let Me Tell You, Pt. I : Let Me Tell You How It Was (I Part)

Fünf Lieder: Laue Sommernacht

The Importance of Being Earnest, Act I: "Did You Hear What I Was Playing?" (Algernon)

Chanson médiévale

Lieder, Op. 2: Frühlingstag

Let Me Tell You. R I O but Memory Is Not One but Many (I Part)

Lieder, Op. 7: Da Waren Zwei Kinder

Goethe-Lieder: Kennst Du Das Land

Goethe-Lieder: Mignon I

IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich

5. Dominante bleue?

3. Mémoire des ombres

2. Ariel maléfique

Let Me Tell You, Pt. 1: Part 1: O but memory is not one but many

Prélude - I. La mort de l'ange

Trois Mélodies Élegie

Trois Mélodies Les Anges

Lieder, Op. 5: Tiefe Sehnsucht

Goethe-Lieder: Mignon II

Lieder, Op. 5: Schlaf Nur Ein

Lieder, Op. 7: Irmelin Rose

Let Me Tell You for Soprano and Orchestra: Part II: Now I do not mind

The Importance of Being Earnest, Act I: "Freude, schöner götterfunken" (Lady Bracknell)

Let me tell you, for Soprano & Orchestra : Part I. Let me tell you how it was

4. Vagues de lumière

Trois Autres Mélodies Les fleurs

Socrate Les Bords d'illissus

Correspondances - For Soprano And Orchestra : 1. Gong (1)

Lieder, Op. 7: Entbietung

Let Me Tell You. R. II : Let Me Tell You How It Is (II Part)

No. 2, Antienne du silence (pour le jour des Anges gardiens)

Let Me Tell You for Soprano and Orchestra: Part III: I know you are there

Symphony No. 49 in F Minor, Hob. I:49 'La Passione': III. Minuet - Trio

Faux interlude - IV. La mort de l'humanité

Socrate Portrait de Socrate

Trois Mélodies Sylvie

Trois Autres Mélodies Chanson

Trois Autres Mélodies Chanson médiévale

Socrate Mort de Socrate

Let Me Tell You. R. Ill : I Know You Are There (III Part)

Let Me Tell You How It Was

Let Me Tell You. R. II : Now I Do Not Mind (II Part)

Correspondances - For Soprano And Orchestra : 2. Danse cosmique

O but memory is not one but many

Goethe-Lieder: Mignon III

Let Me Tell You for Soprano and Orchestra: Part III: I will go out now

The Importance of Being Earnest, Act I: "Are Your Parents Living?" (Lady Bracknell)

The Importance of Being Earnest, Act I: "What Should I Do?’ (i) [Jack]

Let Me Tell You, Pt. 3: Part 3: I will go out now

Let Me Tell You, Pt. 3: Part 3: I know you are there

Let Me Tell You, Pt. 2: Part 2: Let me tell you how it is

The Importance of Being Earnest, Act I: "Mister Worthing!" (Lady Bracknell)

Let me tell you, for Soprano & Orchestra : Part III. I will go out now

The Importance of Being Earnest, Act I: "I Feel Bound to Tell You" (Lady Bracknell)

Les Illuminations, Op. 18: VIII. Parade, Des drôles très solides

Let Me Tell You. R. Ill : I Will Go out Now (III Part)

Let Me Tell You. R. I : There Was a Time. I Remember (I Part)

Part One, Scene II: The Protector, Agnès and the Boy

No. 3, Danse du bébé-pilule (pour mon petit Pascal)

The Importance of Being Earnest, Act I: "What Should I Do?" (ii) [Jack]

The Epitaph Of Charlie Parker

Correspondances - For Soprano And Orchestra : 3. A Slava et Galina

The Importance of Being Earnest, Act II: "Garden at the Manor House"

The Importance of Being Earnest, Act I: "Lady Bracknell and Miss Fairfax" (Lane)

The Importance of Being Earnest, Act I: "Miss Fairfax, Ever Since I Met You" (Jack)

The Importance of Being Earnest, Act I: "Will You Stop!!" (Jack)

The Importance of Being Earnest, Act II: "You Are My Little Cousin Cecily" (Algernon)

Let Me Tell You, Pt. 2: Part 2: Now I do not mind

Schenk mir deinen goldenen Kamm (Jesus Bettelt)

Part Two, Scene X: Agnès and the Boy

I Will Go out Now

No. 4, Arc-en-ciel d'innocence (pour mon petit Pascal)

Let Me Tell You How It Is

There was a time, I remember

Quatre chants pour franchir le seuil for Soprano & Ensemble: Interlude - III. La mort de la voix

The Importance of Being Earnest, Act III: "Your Christian Names" (Gwendolen & Cecily)

Let Me Tell You, Pt. 1: Part 1: There was a time, I remember

The Importance of Being Earnest, Act II: "Orchestral Interlude"

The Importance of Being Earnest, Act II: "Freude, schöner götterfunken" (Miss Prism)

The Importance of Being Earnest, Act III: "Pretty Child!" (Lady Bracknell)

Correspondances - For Soprano And Orchestra : 5. De Vincent à Théo

Sables, Oxygène: V. Fruits

The Epitaph of Charlie Parker [Vocal Version of Visa]

The Importance of Being Earnest, Act III: "Twenty-Eight Years Ago" (Lady Bracknell)

Part One, Scene III: Chorus of Angels II

Part Two, Scene VII: The Protector's Bad Dream

The Epitaph of Charlie Parker (vocal version of VISA)

Let me tell you how it was: I Part

The Importance of Being Earnest, Act III: "But Where Did You Deposit the Handbag?" (Jack)

The Importance of Being Earnest, Act III: "Miss Prism!" (Lady Bracknell)

The Importance of Being Earnest, Act III: "Lady Bracknell" (Miss Prism)

Now I do not mind

Quatre chants pour franchir le seuil for Soprano & Ensemble: Prélude - I. La mort de l'ange

The Importance of Being Earnest, Act III: "What Do You Think This Means" (Chasuble)

Correspondances - For Soprano And Orchestra : 4. Gong (2)

The Importance of Being Earnest, Act III: "Orchestral Introduction"

Quatre chants pour franchir le seuil for Soprano & Ensemble: Berceuse

The Importance of Being Earnest, Act II: "Cecily, Ever Since I Looked" (Algernon)

The Importance of Being Earnest, Act II: "He’s Going to Send Me Away" (Algernon)

The Importance of Being Earnest, Act II: "Mister Worthing!" (Miss Prism)

The Importance of Being Earnest, Act III: "I Am Miss Cardew’s Guardian" (Jack)

The Importance of Being Earnest, Act III: "Lady Bracknell, Who Am I?" (Jack)

The Importance of Being Earnest, Act III: "Mister Worthing, Is Miss Cardew" (Lady Bracknell)

The Importance of Being Earnest, Act III: "Is This the Handbag?" (Jack)

The Importance of Being Earnest, Act II: "And This Is What You Call Bunburying!?" (Jack)

The Importance of Being Earnest, Act II: "I Had No Idea" (Gwendolen)

The epitaph of Charlie Parker (Vocal version of ""Visa"")

Part I: O but Memory Is Not One but Many

Part I: Let Me Tell You How It Was

Part II: Let Me Tell You How It Is

Part III: I Know You Are There

Part One, Scene IV: Agnès and the Boy I

Les Illuminations, Op. 18: IIIb. Antique, Gracieux fils de Pan!

IV. Variationen

Let Me Tell You, Pt. 1: Let Me Tell You How It Was

Part One, Scene V: The Protector and the Visitors

Part One, Scene VI: Agnès and the Boy II

Part Two, Scene XI: The Protector and the Boy

A fuoco, "4o studio sulla memoria"

I Know You Are There

Correspondances - For Soprano And Orchestra : 1. Gong (I)

The Importance of Being Earnest, Act III: "Lady Bracknell" (Merriman)

Sequenza III : Sequenza III

Quatre chants pour franchir le seuil for Soprano Ensemble: Prélude - I. La mort de l'ange

The Importance of Being Earnest, Act II: "You Must Not Laugh at Me" (Cecily)

The Importance of Being Earnest, Act II: "Miss Fairfax" (Merriman)

Let me tell you, for Soprano & Orchestra : Part I. There was a time, I remember

Let me tell you, for Soprano & Orchestra : Part I. O but memory is not one but many

The Importance of Being Earnest, Act III: "Explosion!"

Trois mélodies (1886): Les anges

The Importance of Being Earnest, Act II: Act II: You must not laugh at me (Cecily, Algernon)

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