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Top Tracks of Lautten Compagney

Melody for Saxophone No. 12

Ich habe genug, BWV 82a: I. Air "Ich habe genug"

Melody for Saxophone No. 10

Glassworks: I. Opening

Melody for Saxophone No. 5

The Windcatcher, Pt. III

The Windcatcher, Pt. I

Glassworks: V. Facades

Es ist ein Ros entsprungen

Ballo detto Polliccio

La Lusignola - Canzon

Che nove arti son queste - Madrigal

Sonata cromatica

Gymnopédie No. 3: Lent et grave (Arr. for baroque ensemble)

La mia Filli è fugace - Madrigal

La Loda - Canzon

Lamento della ninfa, SV 163

The Windcatcher Part I

Facades from "Glassworks"

Su la cetra amorosa - Aria in Ciacona

Folle è ben - Aria

Sentirete - Canzonetta

Philip Glass - The Windcatcher - Part I

Wachet auf, ruft uns die Stimme, BuxWV 100: I. Sinfonia

Opening from "Glassworks"

The Windcatcher - Part I (Philip Glass)

Philip Glass - Facades

Philip Glass - Melody for Saxophone No.12

Tarquinio Merula - Canzon La Lusignola

Morning Passages (from "The Hours")

Tarquinio Merula - Alemana

Philip Glass - Melody for Saxophone No.10

Tarquinio Merula - Ballo detto Polliccio

Alemana (Tarquinio Merula)

Ballo detto Polliccio (Tarquinio Merula)

The Windcatcher Part III

La Lusignola (Tarquinio Merula)

Che nove arti son queste (Tarquinio Merula)

Philip Glass - Opening

Tarquinio Merula - La mia Filli e fugace - Madrigal

Melody for Saxophone No. 10 (Philip Glass)

Another Girl (Arr. for baroque orchestra and saxophone)

Philip Glass - Video Dream from the Powaqqatsi soundtrack

Philip Glass - Melody for Saxophone No.5

Tarquinio Merula - Sonata cromatica

Tarquinio Merula - Che nove arti son queste - Madrigal

Ach Herr, mich armen Sünder, BWV 135: VI. Chorale "Ehr sei ins Himmels Throne"

Melody for Saxophone No. 12 (Philip Glass)

Pastorella Larga (after Chamber Concerto in D Major, RV 95 "La Pastorella": II. Largo, arr. for Baroque Ensemble by Bo Wiget)

Facades (Philip Glass)

Tarquinio Merula - Capriccio

Cantiones sacrae: No. 1: Herr, wie lang wiltu mein sogar vergessen, SSWV 1

The Windcatcher - Part I

Tarquinio Merula - Folle e ben - Aria

Old World (from "Naqoyqatsi")

Canzon ad imitationem Bergamasca, SSWV 64

The Windcatcher - Part III (Philip Glass)

Matona mia cara

Gloria ad modum tubae

Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. "Schafe können sicher weiden"

La Loda (Tarquinio Merula)

Opening (Philip Glass)

Train to São Paulo (from "Powaqqatsi")

Tarquinio Merula - Sentirete - Canzonetta

Tarquinio Merula - Canzon La loda

Dance V (from "In the Upper Room")/ Par droit je puis bien

La mia Filli e fugace (Tarquinio Merula)

Su la cetra amorosa (Tarquinio Merula)

Capriccio (Tarquinio Merula)

If music be the food of love, Z. 379

Melody for Saxophone No. 5 (Philip Glass)

Sentirete (Tarquinio Merula)

Vom Himmel hoch, da komm ich her

Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia

Philip Glass - The Windcatcher - Part III

Rinaldo, HWV 7: Lascia ch'io pianga

Tarquinio Merula - Su la cetra amorosa Aria in Ciacona

Video Dream (Philip Glass)

Sentirete (Canzonetta)

Sonata cromatica (Tarquinio Merula)

Nun komm der Heyden Heyland

Scherzando sul tuo volto (from Rinaldo)

Zefiro torna e di soavi accenti, SV 251

Canzon La Lusignola

Folle e ben (Tarquinio Merula)

Cara pianta (from Apollo e Dafne)

M'adora l'idol mio (from Teseo)

The trumpet's loud clangor exites us to arms - Ode for St. Cecilia's Day

Lascia ch'io pianga (from Rinaldo)

Melody For Saxophone No.10

Resonet in laudibus

Mache dich, mein Geist, bereit, BWV 115: IV. Air "Bete aber auch dabei"

Ti giurasti (from Il Trionfo del Tempo)

But oh! What art can teach, what human voice can reache - Ode for St. Cecilia's Day

Canto de gl'uccelli (after Violin Concerto in E Major, Op. 8, No. 1 / RV 269 "The Four Seasons: Spring", arr. for Baroque Ensemble by Bo Wiget and Martin Ripper)

Trio Sonata in G Minor, RV 85: II. Larghetto (Arr. for Baroque Ensemble by Wolfgang Katschner)

Ode for St. Cecilia's Day, HWV 76: The trumpet's loud clangor exites us to arms

The History of Timon of Athens, The Man-Hater, Z. 632: The History of Timon of Athens, The Man-Hater, Z. 632: Curtain Tune on a Ground

King Arthur, Z. 628, "The British Worthy": Act III: Hornpipe

String Quartet No. 1: Part I

Io son pur vezzosetta, SV 121

Melody For Saxophone No.12

Rinaldo, HWV 7: Scherzando sul tuo volto

Amadigi di Gaula, HWV 11: Sussurate, onde vezzose

Pavane Ferrareze

Clapping Music / Se la face ay pale

Es ist kein Ros, hat solchen Ruhm

Conosco che mi piace (from Clori, Tirsi e Fileno)

Wenn mein Stündlein vorhanden ist, BWV 430: I. Chorale

Wenn mein Stündlein vorhanden ist, BWV 430: II. Chorale

Lieder eines armen Mädchens: Die Hungerkünstlerin (Arr. for Soprano and Baroque Ensemble)

Il Bajazet, RV 703: Sposa son disprezzata (Arr. for Baroque Ensemble by Wolfgang Katschner)

Cease, ye slaves (from Theodora)

Siroe, re di Persia, Sinfonia: I. Allegro

Come dolce oggi l'auretta, SV 173

Geistliche Konzerte II: No. 6, Miserere mei Deus, SSWV 223

Apollo e Dafne, HWV 122: Cara pianta

La Mia Filli E Fugace - Madrigal

Histoire du Tango: II. Cafe 1930

Rosary Sonata No. 1, C. 90, "The Annunciation"

King Arthur, Z. 628, "The British Worthy": Act IV: For love ev'ry creature

Apostolo, glorioso, da die electo

Missa L'Homme Armé: Kyrie -Sanctus - Duo. Benedictus in nomini

Juditha Triumphans, RV 644: Veni, veni me sequere fida (Arr. for Baroque Ensemble by Wolfgang Katschner)

The Prophetess, Z. 627, "The History of Dioclesian": The Prophetess, Z. 627, "The History of Dioclesian", Act III: The Chair Dance

Vezzi più amabile (from Terpischore)

Haste thee, nymph (from L'allegro)

The Windcatcher - Part III

King Arthur, Z. 628, Act 5: No. 32, Ye Blust'ring Brethren of the Skies (Arr. for baroque orchestra and saxophone)

Because (Arr. for baroque orchestra and saxophone)

Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria

Dawn (from "Book of Days")

Ave Regina Caelorum

Deh v'aprite, o luci belle (from Teseo)

Gaude virgo, mater Christi

I love and I must, Z. 382

Più non cerca liberta (from Teseo)

Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper)

My Lord Willoughby's Welcome Home, P. 66

Ludi musici I, No. 9: Courant Dolorosa, SSWV 47

Es ist nichts gesundes an meinem Leibe, BWV 25: I. Chorus "Es ist nichts gesundes an meinem Leibe"

Gaillarde Ferrareze

The Fairy Queen, Z. 629: Act III: If love's a sweet passion

Melody For Saxophone No.5

Übers Gebirg Maria geht

Vanne lungi dal mio petto (from Teseo)

Dolce vita del mio petto (from Amadigi)

Ave Maris Stella

Larghetto (after Concerto for 4 Violins and Cello in B Minor, Op. 3, No. 10 / RV 580, arr. for Baroque Ensemble by Wolfgang Katschner)

Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: VI. Chorale "Jesu, der du meine Seele"

Awake the trumpet's lofty sound (from Samson)

Sussurate, onde vezzose (from Amadigi)

Ich weiss mir Meidlein hübsch fein

Veni, Veni, Emmanuel / Rorate caeli

Pausanius, the Betrayer of his Country, Z. 585: Pausanius, the Betrayer of his Country, Z. 585: Sweeter than roses

The Fairy Queen, Z. 629: Act V: O let me weep

The Fairy Queen, Z. 629: Act II: One charming night

Amadigi di Gaula, HWV 11: Dolce vita del mio petto

Folle E Ben - Aria

Rosary Sonata No. 2, C. 91, "Mary's Visit to Elizabeth"

The History of Timon of Athens, The Man-Hater, Z. 632: Hark! how the songsters

Anthem Part I (from "Powaqqatsi")

Pièces Froides: I. Airs à faire fuir, No. 3, S'inviter (arr. for baroque ensemble)

Pièces Froides: I. Airs à faire fuir, No. 2, Modestement (arr. for baroque ensemble)

Cara sposa (from Rinaldo)

Il Bajazet, RV 703: Dov'è la figlia (Arr. for Baroque Ensemble by Bo Wiget)

Vivo in te (from Tamerlano)

The History of Timon of Athens, The Man-Hater, Z. 632: Overture

Pièces Froides: I. Airs à faire fuir, No. 1, D'une manière très particulière (Arr. for baroque ensemble)

Violin Concerto in A Minor, BWV 1041: I. Allegro (Live)

Con che soavità, SV 139

Selig ist der Mann, BWV 57: VII. Air "Ich ende behende mein irdisches Leben"

Teseo, HWV 9: M'adora l'idol mio

Teseo, HWV 9: Deh v'aprite, o luci belle

Il trionfo del tempo, HWV 46a: Ti giurasti

The Fairy Queen, Z. 629: Act V: Chaconne

New World (from "Naqoyqatsi")

Torni ormai la pace all'alma (from Tolomeo)

The History of Timon of Athens, The Man-Hater, Z. 632: Love in their little veins inspires

The History of Timon of Athens, The Man-Hater, Z. 632: But ah!

Dopo notte (from Ariodante)

The History of Timon of Athens, The Man-Hater, Z. 632: Come all to me

Destero dall'empia dite (from Amadigi)

The Fairy Queen, Z. 629: Act II: See, even Night herself is here

Guardian Angels, oh, protect me (from The Triumph of Time and Truth)

The Fairy Queen, Z. 629: Act II: Hush, no more, be silent all

Amor E Gratioso

Schlacht - Schach / Horse Race (Chinese Tune)

Jonas (Jonah): Symphonia

Quem pastores laudavere

In dulci jubilo

The Prophetess, Z. 627, "The History of Dioclesian": The Prophetess, Z. 627, "The History of Dioclesian": First Music

L'Orfeo, SV 318: Ballo

The Prophetess, Z. 627, "The History of Dioclesian": The Prophetess, Z. 627, "The History of Dioclesian", Act III: Chaconne

Gnossienne No. 4: Lent (arr. for baroque ensemble)

Zefiro torna e'l bel tempo rimena, SV 108

Aria "Die Seele ruht in Jesu Händen", BWV 127, Nr. 3

Laudate dominum in sanctis eius, SV 287

Galliard Cantus XX

Terpischore, HWV 8b: Vezzi più amabile

L'incoronazione di Poppea, SV 308: Sento un certo non so che

Su La Cetra Amorosa Aria In Ciacona

The Windcatcher, Part III

Hoftantz mit Proportz

Kalata alla spagnola

The Fairy Queen, Z. 629: Act V: Hark! The echoing air a triumph sings

Jonas (Jonah): Chorus: Peccavimus Domine

Concerto for 4 Violins Cello in B Minor, Op. 3 No. 10, RV 580: I. Allegro (Live)

Bonduca, Z. 574: No. 4, Air (Arr. for baroque orchestra and saxophone)

King Arthur, Z. 628, "The British Worthy": King Arthur, Z. 628, "The British Worthy": Boree

Wie schön leuchtet der Morgenstern

The Prophetess, Z. 627, "The History of Dioclesian": The Prophetess, Z. 627, "The History of Dioclesian", Act V: Let us dance

Confitebor tibi domine, SV 265

In Furore Giustissimae Irae, RV 626: Tunc meus fletus (Arr. for Baroque Ensemble by Wolfgang Katschner)

Symphonie aus dem C, No. 9, SSWV 379

La piaga c'ho nel core donna onde lieta sei, SV 82

O bone Jesu o piissimi Jesu, SV 31

Il ballo delle ingrate, SV 167

Baci soavi e cari, SV 27

Teseo, HWV 9: Vanne lungi dal mio petto

Sie werden euch in den Bann tun, BWV 44: VI. Air "Es ist und bleibt der Christen Trost"

Les Oiseaux (arr. for baroque ensemble)

Contrapuncto Primo di B.M.

Contrapunto Secondo di B.M.

The Prophetess, Z. 627, "The History of Dioclesian": The Prophetess, Z. 627, "The History of Dioclesian": Prelude

Galliarda Wesela

The Prophetess, Z. 627, "The History of Dioclesian": The Prophetess, Z. 627, "The History of Dioclesian": Since from my dear Astrea's sight

Terpsicore, HWV 8b: Chaconne in A major

Jesu, Meine Freude, BuxWV 60: Jesu, Meine Freude

Magnificat: A Progenie, In Progenies

Dixit Dominus: Juravit Dominus

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